creativehum
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On an gaming forum I visit someone asked, “What is you favorite SF Roleplaying Game?” Unsurprisingly I replied…
The choice for me is Classic Traveller. And by Classic Traveller I mean Traveller Books 1-3.
Why I like Classic Traveller the most is built on several reasons I’ve been thinking about lately:
STATE BLOCKS FOR NPCS AND ALIENS
Do you know how easy it is to stat an NPC in Classic Traveller? This easy:
5468A7. Rifle-0. Mechanical-1 Cloth Armor Rifle
Boom. That’s crazy easy.
As someone who really wants to spend more time just making shit up with my friends in response to the ideas, plans, actions, and choices they throw at me.
I cannot overstate the brilliance of Marc Miller’s design in this regard.
STAT BLOCKS FOR BEASTS
Sure, it’s a bit more complicated, but watch this:
Gatherer 50kg Hits: 11/2 Armor: jack-1 Wounds: 7 teeth+1 Responses: A9 F8 S2
Again, as time is tighter for me these days, having an RPG where where I can whip up the numbers I need in a few seconds is a great boon.
TERRIFIC PROCEDURAL GENERATION MATERIAL FOR THE REFREE
The dense layer of procedural generation of Worlds, Encounters (NPCs, Animals, Legal, Patron), Encounter Range, and NPC Reaction lets me generate content on the fly and help me come up with new ideas, locals, and situations I would never come up with on my own.
THE SITUATION THROW SYSTEM
A preposterously straightforward but crazily flexible resolution system to handle any situation that the PCs get into that the Referee wants to hand off to the dice for adjudication.
STRAIGHTFORWARD PLAYER CHARACTER DESIGN FOR MAKING ADVENTURERS
The game doesn’t try to present you with every type of person from every walk of life that could exist in an interstellar setting. It’s built to create characters who have the chops and the wherewithal and the focus to go on adventures in an adventure driven interstellar adventures.
The PCs can’t do everything, of course. The character generation tables offer a limited set of skills, and PCs will only have a few of those per PC. But this means that if the PCs don’t have the skill set available they will have to come up with adventure-driven schemes and shenanigans to keep going: steal the part they need to fix their ship because they don’t know how to fabricate it; get to the professor of ancient languages held against his will on the estate of the noble to translate the alien tablet they found; sneak into the government building using a clever ruse because this group doesn’t have someone with Computer skills; and so on.
IMPLIED ADVENTURE-DRIVEN SETTING DETAILS
While the rules have implied setting details they do not provide a setting. This allows me to build the cool setting that I want. And as for the implied setting details, what are they? That the distances between the stars matters, communication is slow, tech levels will vary greatly, space travel between the stars is expensive, dangerous, and a big deal. What does this give us: Implied setting details that support exotic, novel, adventuring environments with lots of space and room for adventures to go get into trouble, take risks. The procedural driven setting generation material, along with the random encounter material, all define a setting ripe for adventure.
INCREDIBLY FLEXIBLE
Ultimately Classic Traveller at its core isn’t limited to being a SF game. It is, instead, an awesome RPG engine with tools to build the setting you want and allows the Referee adjudicate clearly and the Players have an infinite latitude as to how handle problems and situations.
Want to use the rules to play a game set in WWII? You can do that. Want to use them to play cavemen? You can do that. Want to use them to play modern day Cthulhu? Why not? All one needs to do is come up with rebuilt character creation tables and you are good to go. (For the CoC you’ll want some sort of mechanic for insanity or insights or whatnot… but you’re a grownup. You can figure it out.)
Remember that the Psionics rules are a template for anything from Psionics, to magic spells, to magic weapons, to alien or monsters effects. Combined with the rules for Drugs (as well as the flexible weapons and armor rules) one can mix and match the rules to reproduce the effects of everything from cyberware to trans-human bioengineering. This flexibility allows a Referee to create truly alien SF worlds and technology in the standard “Science-Fiction Adventure in the Far Future” play mode… or use the game (as mentioned above) for completely different settings shorn of all SF trappings.
Classic Traveller is one of the most pure iterations of RPG play and design that I have ever seen.
The choice for me is Classic Traveller. And by Classic Traveller I mean Traveller Books 1-3.
Why I like Classic Traveller the most is built on several reasons I’ve been thinking about lately:
STATE BLOCKS FOR NPCS AND ALIENS
Do you know how easy it is to stat an NPC in Classic Traveller? This easy:
5468A7. Rifle-0. Mechanical-1 Cloth Armor Rifle
Boom. That’s crazy easy.
As someone who really wants to spend more time just making shit up with my friends in response to the ideas, plans, actions, and choices they throw at me.
I cannot overstate the brilliance of Marc Miller’s design in this regard.
STAT BLOCKS FOR BEASTS
Sure, it’s a bit more complicated, but watch this:
Gatherer 50kg Hits: 11/2 Armor: jack-1 Wounds: 7 teeth+1 Responses: A9 F8 S2
Again, as time is tighter for me these days, having an RPG where where I can whip up the numbers I need in a few seconds is a great boon.
TERRIFIC PROCEDURAL GENERATION MATERIAL FOR THE REFREE
The dense layer of procedural generation of Worlds, Encounters (NPCs, Animals, Legal, Patron), Encounter Range, and NPC Reaction lets me generate content on the fly and help me come up with new ideas, locals, and situations I would never come up with on my own.
THE SITUATION THROW SYSTEM
A preposterously straightforward but crazily flexible resolution system to handle any situation that the PCs get into that the Referee wants to hand off to the dice for adjudication.
- The scale is simple: a 2D6 bell curve. A Referee armed with a table showing the odds from 2-12 on 2D6 is good to go.
- The Die Modifiers are intuitive: +DMs for skills, high characteristics, tools, character history, or situational modifiers the Players come up with. The -DMs are just as simple.
- The trick is to take the system for what it is: A Referee driven simulation rather than a failed Skill System of later RPG design. But once you do that the game is excellent.
STRAIGHTFORWARD PLAYER CHARACTER DESIGN FOR MAKING ADVENTURERS
The game doesn’t try to present you with every type of person from every walk of life that could exist in an interstellar setting. It’s built to create characters who have the chops and the wherewithal and the focus to go on adventures in an adventure driven interstellar adventures.
The PCs can’t do everything, of course. The character generation tables offer a limited set of skills, and PCs will only have a few of those per PC. But this means that if the PCs don’t have the skill set available they will have to come up with adventure-driven schemes and shenanigans to keep going: steal the part they need to fix their ship because they don’t know how to fabricate it; get to the professor of ancient languages held against his will on the estate of the noble to translate the alien tablet they found; sneak into the government building using a clever ruse because this group doesn’t have someone with Computer skills; and so on.
IMPLIED ADVENTURE-DRIVEN SETTING DETAILS
While the rules have implied setting details they do not provide a setting. This allows me to build the cool setting that I want. And as for the implied setting details, what are they? That the distances between the stars matters, communication is slow, tech levels will vary greatly, space travel between the stars is expensive, dangerous, and a big deal. What does this give us: Implied setting details that support exotic, novel, adventuring environments with lots of space and room for adventures to go get into trouble, take risks. The procedural driven setting generation material, along with the random encounter material, all define a setting ripe for adventure.
INCREDIBLY FLEXIBLE
Ultimately Classic Traveller at its core isn’t limited to being a SF game. It is, instead, an awesome RPG engine with tools to build the setting you want and allows the Referee adjudicate clearly and the Players have an infinite latitude as to how handle problems and situations.
Want to use the rules to play a game set in WWII? You can do that. Want to use them to play cavemen? You can do that. Want to use them to play modern day Cthulhu? Why not? All one needs to do is come up with rebuilt character creation tables and you are good to go. (For the CoC you’ll want some sort of mechanic for insanity or insights or whatnot… but you’re a grownup. You can figure it out.)
Remember that the Psionics rules are a template for anything from Psionics, to magic spells, to magic weapons, to alien or monsters effects. Combined with the rules for Drugs (as well as the flexible weapons and armor rules) one can mix and match the rules to reproduce the effects of everything from cyberware to trans-human bioengineering. This flexibility allows a Referee to create truly alien SF worlds and technology in the standard “Science-Fiction Adventure in the Far Future” play mode… or use the game (as mentioned above) for completely different settings shorn of all SF trappings.
Classic Traveller is one of the most pure iterations of RPG play and design that I have ever seen.
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