Icosahedron
SOC-14 1K
Ok, Hans, you keep asking for concrete examples - here's one that as a writer you can maybe identify with.
I don't intend to keep producing sandcastles for you to knock down, but:
Suppose I've written something for Traveller. Maybe I've written a number of things and haven't got around to publishing them yet. Maybe I've spent a couple of years writing a fanfic novel set in the OTU.
Just as I'm about to publish, I learn that changes - instigated by your good self - have been made to the OTU and, to my horror, I find that the 'anomaly' that forms the central premise of my work has been 'corrected'. Suddenly my work is junk, flushed down the pan; gun to head.
And why?
Because you
a) can't find an existing world in the whole of Imperial Space upon which to set your work
and
b) can't figure a way to alter your work so it fits in the existing OTU setting.
So (and here we come once again to the crux of my argument) My OTU labours have to be altered to fit your interpretation.
My freedom to use the OTU setting becomes subordinate to yours.
Now do you see why I feel that change is unfair, that it hijacks the OTU and that the burden of justification falls upon those advocating change?
Whether or not my hypothetical writer actually exists is irrelevant; the principle is still valid.
The two writers are equivalent: any 'option' you can offer my writer, I can offer yours.
However, my writer has one advantage - he doesn't need to change the OTU. Occam's Razor - the simplest solution is probably best: Leave the OTU alone.
I don't intend to keep producing sandcastles for you to knock down, but:
Suppose I've written something for Traveller. Maybe I've written a number of things and haven't got around to publishing them yet. Maybe I've spent a couple of years writing a fanfic novel set in the OTU.
Just as I'm about to publish, I learn that changes - instigated by your good self - have been made to the OTU and, to my horror, I find that the 'anomaly' that forms the central premise of my work has been 'corrected'. Suddenly my work is junk, flushed down the pan; gun to head.
And why?
Because you
a) can't find an existing world in the whole of Imperial Space upon which to set your work
and
b) can't figure a way to alter your work so it fits in the existing OTU setting.
So (and here we come once again to the crux of my argument) My OTU labours have to be altered to fit your interpretation.
My freedom to use the OTU setting becomes subordinate to yours.
Now do you see why I feel that change is unfair, that it hijacks the OTU and that the burden of justification falls upon those advocating change?
Whether or not my hypothetical writer actually exists is irrelevant; the principle is still valid.
The two writers are equivalent: any 'option' you can offer my writer, I can offer yours.
However, my writer has one advantage - he doesn't need to change the OTU. Occam's Razor - the simplest solution is probably best: Leave the OTU alone.