SCENE: Back alley at night, point of view (POV) is static shot from 3 meters above the ground and against one wall. Refuse containers and various forms of junk line either side of the alley and mysterious vapors float about.
A figure enters the picture at the far, dark end of the alley, running toward the camera's end of the alley. As the figure gets closer, we see it is a woman (the Runner), built like a long distance runner and attired in what is thought of as garb typical of travellers (military surplus/durable work clothes). She runs out of frame below POV.
[CUT]
POV is the entrance to the alley at ground level, looking out toward a street. The woman comes to a stop, back to the wall, clearly in a position to recon the street. She whips her head around to see what's behind her.
[CUT]
Travelling shot down the alley, the opposite wall from the POV blurred. The Young Guy enters the frame to the left, running slightly faster than the camera's POV is moving. He too is attired in traveller chic and is carrying a bulky burnished silver briefcase in one hand. He runs out of frame to the right.
[CUT]
POV is ground level; stout human (Big Guy) stands to one side looking back as a Vargr enters the alley running. No surprise both appear to be travellers.
[CUT]
Young Guy running directly towards the camera. His foot catches something unseen, he trips and he begins to fall face first toward the pavement, arms thrown out before him.
[CUT]
Young Guy again, but POV is to one side as he crashes to the pavement in slow motion . . .
[CUT]
Young Guy, still in slow motion hitting pavement, bouncing hard, briefcase flying from his hand. . .
[CUT]
Look of shock on the Runner's face before she breaks into a run back down the alley.
[CUT]
POV is low shot looking up at Big Guy and Vargr as they come to a halt in slow motion.
[CUT]
Young Guy's head comes off the pavement, the pain evident on his face, as he looks past the camera at. . .
[CUT]
the briefcase sitting on the ground, it's lid open. Most of the interior is taken up by a spongy packing material in the middle of which sits a cube, about 1cm on a side, wrapped in a clear plastic like substance. The cube looks like it's made from tofu with swirls of lime jell-o shot through it. The Runner's feet enter the picture; she bends down to close the case. . .
[CUT]
Young Guy has been helped to his feet by Big Guy who asks, "Can you make it?" a look of obvious concern on his face. . .
[CUT]
In close up, the Runner, holding the case now, appears similarly concerned . . .
[CUT]
Close up of the Vargr's head, tongue lolling out of the corner of his mouth. He holds the pose for a bare moment before cocking his head to one side. . .
[CUT]
Young Guy looks at all of them, pain now gone, a new determination lights his face. His expression says that to him, not only will they succeed in their endeavor, but that it's a foregone conclusion. Big Guy, with a proud father to son look on his face, nods once at Young Guy.
[CUT]
POV is again from 3 meters above the ground, looking down the center of the alley. The Runner sprints in from the bottom of the screen headed for the end of the alley in the distance. She is quickly followed by Big Guy, Young Guy (moving a bit slower) and then the Vargr
[CUT]
Black screen with large block capitals in white across it, the product tag line. A deep and comforting voice reads: "BEHOLD, THE POWER OF SPLOGE" while the logo of the Imperial Sploge Marketing Counsel appears in the lower right hand corner of the screen.
[FADE OUT]