There's a reason for that ...
Anytime your entertainment medium becomes "a screen" for the audience to watch, if you're going to have dueling adversaries as a director you're going to want to put the parties involved inside the frame of the screen ... so the audience can see everyone involved.
Star Trek (original series in the 60s), notably, broke that paradigm by use of viewing screens. It was actually RARE to see more than one craft at a time within a single clip of video on screen. One of the rare exceptions was actually the Tholian Web, for example, where it was necessary to show the "cage" that was being constructed around the Enterprise, which then meant showing the Tholian ships in the same frame as the Enterprise.
Compare and contrast this "sense of scale" as presented by Star Trek with what happened later in Star Wars (visual range airplanes and capital ships in space), Battlestar Galactica (also visual range airplanes and carriers in space), Buck Rogers in the 25th Century (also visual range airplanes in space) and a whole host of other sci-fi series. It wasn't until reaching Babylon 5 that we finally got to "visual range
NOT airplanes in space" type fighters, but most combat took place within what amounts to visual range for Mk I human eyeballs.
There were notable LONG RANGE engagements though, such as the Shadows crushing the Narn, in which most of the damage was actually inflicted by capital ship spinal mount weaponry (or the equivalent) ... particularly the Shadow ship's cutting beam. Consequently, you don't really see the two opposing forces "mixing it up" dogfight style at all during the SHORT battle.
One of the few anime to properly deal with this Beyond Visual Range aspect of space weaponry range envelopes was actually, of all things ...
Starship Operators (english dubbed episodes of which can be found on youtube
HERE).
Another anime that deals with "realistic" space combat with an electronic warfare, decoys, spoofing and "stealth in space" angle to it is (surprisingly)
Mouretsu Pirates episodes 3, 4 and the very satisfying culmination in 5.